Valentin Kovalev
Valentin Kovalev is elevating the saxophone’s voice in classical music, from his solo career to his sold-out Carnegie Hall debut.
Valentin Kovalev is elevating the saxophone’s voice in classical music, from his solo career to his sold-out Carnegie Hall debut.
Get ready for a night of dazzling vocals and irresistible swing with Caity Gyorgy, a three-time JUNO Award-winning Canadian vocalist.
A contemporary translation catapults the 1950s absurdist play into vivid, living color, and asks, “If the thought of radical change scares you more than the thought of disaster, what can you do to stop the disaster?”
A contemporary translation catapults the 1950s absurdist play into vivid, living color, and asks, “If the thought of radical change scares you more than the thought of disaster, what can you do to stop the disaster?”
Taimane can morph genres and stretch the ukulele far beyond the familiar melodies of her Hawai’ian homeland.
A Country Music Hall of Famer and five-time Grammy Award-winner, Marty Stuart knows a thing or two about standing the test of time.
Join Champion Scottish fiddler Seán Heely on a magical journey through Scotland and Ireland during the holidays.
Violinist Nathan Metzler is bringing his “gorgeous dreamlike playing” (Seen and Heard International) to the Weisiger stage.
A contemporary translation catapults the 1950s absurdist play into vivid, living color, and asks, “If the thought of radical change scares you more than the thought of disaster, what can you do to stop the disaster?”
A contemporary translation catapults the 1950s absurdist play into vivid, living color, and asks, “If the thought of radical change scares you more than the thought of disaster, what can you do to stop the disaster?”
A contemporary translation catapults the 1950s absurdist play into vivid, living color, and asks, “If the thought of radical change scares you more than the thought of disaster, what can you do to stop the disaster?”
A contemporary translation catapults the 1950s absurdist play into vivid, living color, and asks, “If the thought of radical change scares you more than the thought of disaster, what can you do to stop the disaster?”